The difficulty of the material and the amount covered will be dictated by the level of the group and is subject to change if the tutor feels that something else would be more appropriate and helpful, so this list may be updated. Of course there are many recorded examples of all of these tunes, but you should be familiar with the particular tracks listed below before coming to each session. 

Spring 2019 Season Repertoire TBA... 

Previous sessions have included the following repertoire... 

Sonnymoon For Two

Autumn Leaves

Little Sunflower

Blue Monk

Better Get Hit In Your Soul

Lester Leaps In

One Note Samba

Mack The Knife

Unsquare Dance

A Night In Tunisia

Boogie Stop Shuffle

Honeysuckle Rose

Afro Blue

Sister Sadie


All Blues

Centre Piece

SeƱor Blues

Don't Get Around Much Anymore

St Thomas

Blues March

Cape Verdean Blues

Canteloupe Island

Funghi Mama

Dark Eyes

Sing Sing Sing

Comes Love

So Danco Samba

So What

The Jitterbug Waltz

Elastic Rock

Sack O Woe

A Child Is Born

Ran Kan Kan

Freddie Freeloader

When You're Smiling

Besame Mucho

Mack The Knife as recorded by "Heads South" on "Record Flight" 2010 - Click HERE to get it on iTunes

Milestones as recorded by Miles Davis on "Milestones" 1958 - Click HERE to get it on iTunes

Honeysuckle Rose as recorded by Louis Armstrong on "Satch plays Fats" 1955 - Click HERE to get it on iTunes

Moose The Mooch a recorded by The Dirty Dozen Brass Band on "Voodoo" 1989 - Click HERE to get it on iTunes

"Autumn Leaves" as recorded by Cannonball Adderley on "Somethin' Else" - Click HERE to get it on iTunes

"One Note Samba" as recorded by Stan Getz and Charlie Byrd on "Jazz Samba" - Click HERE to get it on iTunes

"Unsquare Dance" as recorded by The Dave Brubeck Quartet on "Time Further Out" - Click HERE to get it on iTunes

"A Night In Tunisia" as recorded by Art Blakey on "A Night In Tunisia" - also check out the "Live at Massey Hall" concert by Charlie Parker

"Boogie Stop Shuffle" as recorded by Charles Mingus on "Ah Um" - Click HERE to get it on iTunes

A thought about jazz repertoire... 

Jazz has been around for about 100 years and over that time it has evolved and is continuing to evolve. As each new generation came along with a new style of jazz, so they approached the music in new and radical ways. There are many different ways of playing jazz, each with its own sets of protocol and concepts according to each different style and individual approach. Thus, we need to be aware of the history and development of each different style and approach to jazz and understand the different concepts and how they work in context with the music and what the musicians were trying to do at the time. The concepts and musical devices that Louis Armstrong used for improvising were different to Dizzy Gillespie, and Dizzy Gillespie used different methods to Miles Davis, and so on. As the music evolved so did the methods and concepts for improvising on the music. This can be confusing for students of jazz who may have learned one thing from one teacher or workshop and then struggle to apply it in another situation, which may be out of context. Playing Jazz Standards from Real books can add to this confusion because they can feel very generic and not specific to any style. Of course, for the experienced jazz musician this can be beneficial and liberating as it enables the music to be played in any style. But for the jazz student this lack of context can be confusing as there is no protocol to guide them. Therefore, when learning it is extremely beneficial to focus on particular recordings, as they give a sense of time and place and context, which can guide the student when making artistic choices.